Bloody Ishq Hindi Movie

26 Jul 24 | 14 views | Updated: 4 months ago
Bloody Ishq Hindi Movie Review of Bloody Ishq: A New Low for Indian Horror Films with Vikram Bhatt... more
Bloody Ishq Hindi Movie Review of Bloody Ishq: A New Low for Indian Horror Films with Vikram Bhatt Horror films aren't particularly strong suits for Indian filmmakers; the genre is dominated by cheap jump scares, wildly dramatic camera angles, and cringe-worthy writing. Nevertheless, Bloody Ishq, the most recent horror thriller from Vikram Bhatt, manages to go even farther. The movie has all the makings of a bad horror movie, plus incredibly cheesy CGI that is overdone. Bhatt has used visual effects for seemingly straightforward and ordinary images in addition to portraying possessed humans and ghouls. The poor visual effects in Bloody Ishq ultimately work against the movie, destroying any potential tension and detracting from the horror thriller's shocks. Even though I wasn't expecting the film to do a good job at scaring me, I I did not anticipate it to be the unbearable visual nightmare that it proved to be, particularly considering that Bhatt has previously produced some respectable horror films. The beginning of Bloody Ishq shows Avika Gor's heroine drowning in the sea and not knowing what happens to her. However, the very next scene finds her in a hospital, all dolled up, with several months erased from her recollection. A man named Vardhaan Puri soon takes her to a posh, remote Scottish estate and introduces himself as her spouse. Gor's Neha becomes suspicious of the man within the first ten minutes and lashes out at him, demanding to know why she can't feel love for him (oh, because you have amnesia and don't remember anything about him?). just to spend the night with him and then instantly begin to trust him. Alright, Mr. Bhatt, could you please quit coming up with absurd theories on how to dupe women? This is merely the start of an extremely troubling plot with ridiculous speech and insane scenes. In one scene, a ghost hunter is possessed by a spirit, and rather than assisting her, her partner just keeps shooting. We also witness a husband attempting to calm his nearly insane wife by proposing that they discuss the issue in private. Even worse, nearly every character in the film forcibly inserts English terms into their dialogue, as if to portray the film as a contemporary story rather than Bhatt's priceless work, which partially takes place in the 1920s. less